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Further Reading

Bornstein, George. Material Modernism: The Politics of the Page. Cambridge: Cambridge University Press, 2001.

—— and Theresa Tinkle, ed. The Iconic Page in Manuscript, Print, and Digital Culture. U of Michigan P, 1998.

—— and Ralph G. Williams, eds. Palimpsest: Editorial Theory in the Humanities. Ann Arbor: U of Michigan P, 1993.

Briggs, Julia and D. F. McKenzie. ‘Between the Texts: Virginia Woolf’s Acts of Revision’. Text 12 (1999). 143-165.

Bryant, John. The Fluid Text: A Theory of Revision and Editing for Book and Screen. Ann Arbor: U of Michigan P, 2002.

Cohen, Philip. Devils and Angels: Textual Editing and Literary Theory. Charlottesville: UP of Virginia, 1991.

Cullen, Darcy. ‘Introduction: The Social Dynamics of Scholarly Editing.’ Editors, Scholars, and the Social Text. Ed. Cullen. Toronto: U of Toronto P, 2012. 3-32.

Gabler, Hans Walter. ‘A Tale of Two Texts: Or, How One Might Edit Virginia Woolf’s To The Lighthouse.‘ Woolf Studies Annual, 10 (2004). 1-29.

McGann, Jerome. Black Riders: The Visible Language of Modernism. Princeton: Princeton UP, 1993.

——. The Textual Condition. Princeton: Princeton UP, 1991.

Randall, Bryony. ‘[T]hey would have been the first to correct that sentence’: correcting Virginia Woolf’s short fiction.’ Textus: English Studies in Italy, 3 (2015). 75-94.

Reiman, Donald H. Romantic Texts and Contexts. Columbia: U of Missouri P, 1997.

Silver, Brenda R. “Textual Criticism as Feminist Practice: Or, Who’s Afraid of Virginia Woolf Part II.” Representing Modernist Texts: Editing as Interpretation, ed. George Bornstein.  Ann Arbor, MI: University of Michigan, 1991.

Sullivan, Hannah. The Work of Revision. Cambridge, MA: Harvard University Press, 2013.

Stoicheff, Peter and Andrew Taylor, eds. The Future of the Page. Toronto: U of Toronto P, 2004.

Van Hulle, Dirk. Textual Awareness. Ann Arbor, MI: University of Michigan, 1991.

——. Modern Manuscripts: The Extended Mind and Creative Undoing. London: Bloomsbury, 2014.

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